Talking With Vikings George Blagden! Missing Athelstan! What’s Next! How He Found Out! And More!

Who doesn’t miss George Blagden on Vikings? I mean, he was pitch perfect as Athelstan and I know I miss him on the show dearly.

Recently, Anushika had the chance to talk with George about his time on the show, how he found out about Athelstan and will we see Athelstan at some point in the future!

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I know it’s been weeks since our good byes to our tiny Viking, Athelstan. It still stings and we all miss him so much. Maybe not as much as Ragnar, but it’s definitely a void no one else could fill. George Blagden who played Athelstan executed his character so marvelously all the way up to the very end. After talking to him, it was more than clear how much he misses being on the show and he would do anything to be back. Who knows, Michael Hirst might just bring him on to his next big project. All of us who talked to him tried to find ways to bring Athelstan back on the screen. He totally became a fan favorite and a key player on the show. Here’s what he had to say about his exit and the wonderful experience on Vikings.

What was your reaction when Michael told you about the scene?

George Blagden: My first reaction was to pull over [laughter], I was in a car driving and I got an e-mail on my phone that showed up saying Athelstan season three and it was a big five-page long e-mail. To be honest, reading the e-mail that Michael outlined his reasons for why he thought it was the right time to kill Athelstan, I agreed with all of them and sort of I think kind of a full realization comprehension of the character was the main overriding feeling. A kind of knowledge that we’re on the same page about what we wanted to do with the character and how we wanted to close it. It was nice.

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What would you think Athelstan would have done if he knew that Judith was pregnant?

George Blagden: That’s a very good question. I think Michael and I talked a lot about how Athelstan perceived the situation with Judith by episode four and five. I think what we tried to portray was that it was sort of like a first love relationship for a young man who’ had never really been through that process before and without kind of [laughter] condemning all men throughout the world [laughter] in this statement. If I can be hugely generalized, it was sort of saying things in the heat of the moment I think was what we really wanted Athelstan’s trying to be doing with Judith. I guess what we’d call in the U.K. a fling. I think that’s the main tragedy of the situation and what Michael brilliantly did with the right thing was make it that Athelstan will never ever know that he was to have a child. I don’t know if Athelstan would have dealt with the news very well. I mean it was the first time that he had kind of been through that process and it’s at the end of it. He was told that he was going to be a father. I think I don’t know if he had coped with it very well.

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You’ve had to keep this information secret for a while now. Now that it’s out there and people know the state of Athelstan, how has their actions been and how have you felt about it?

George Blagden: Yes. I have to admit, I think the emotional process of it all was fascinating for me from finding out to then getting on set and realizing that it will be the last time that I would be on that certain island and not letting anybody else know about that. A lot of the other actors actually didn’t know until after we’ve started shooting season three. It was that kind of secretive. Then of course wrapping on the show, I burst into tears. They had this big surprise for my last scene and I think it’s just very emotional when you’re working in our industry with a group of people that you get that close to over – with episodic television over a number of years. It kind of becomes like family. So yes, I suppose anyone who says as an actor that when their character is killed off in the show it’s not an emotional experience, I think they’re probably lying. [Laughter] Yes, but I’ve been biting my nails since I left the show in August last year. I hope that we did lovely Athelstan justice.


Hopefully Michael will write you into some flashbacks or visions or something for the characters so you can keep coming back.

George Blagden: E-mail him please. [Laughter] Tell him.

With the death of Athelstan who was Ragnar’s last trustworthy friend, where do you see Ragnar going like where’s he going to be headed besides just to Paris?

George Blagden: It’s a very good question. I think the fact that Athelstan is no longer in Ragnar’s life leaves Ragnar very, very open and potentially weak and the fact that he doesn’t have maybe anybody in Kattegat got left who he really feels like he can trust. To be perfectly honest, my guess is as good as yours, really. I’ve not seen any of the scripts through the remainder of season three, so next week I’ll be tuning in and I’ll be watching the show as a fan. I guess I would like to see Ragnar kind of be able to discover who the murderer was and I think I’d love to see how that relationship plays out and how things resolve with Floki and Ragnar and I don’t know if they ever do but I would like to see whether he takes a kind of Pagan view perhaps where punishment could be very, very serious or whether maybe he takes a Christian view and maybe there’s some kind of forgiveness in both. I have no idea. I’m excited.

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Did you have a particular favorite scene or episode that you filmed or perhaps one that was the most challenging for you?

George Blagden: There were plenty. I think in this season, the whole sequence of when Athelstan is visited by God and in home of the light was particularly challenging because on the show so far, we have had a limited amount sort of supernatural elements to the show. It’s not a fantasy show, it’s a historical show. The element that we had in six where Athelstan is visited by God was very much a real thing. It was kind of interesting how we would try to visualize the reality of what it would be, actually visually what you would see onscreen with this religious experience and kind of taking our own take on it and how that would affect him emotionally in that moment. It was just a really kind of interesting process to tackle and discover how this man would behave in that exact moment and it was quite emotional and quite kind of scary and yet something I’ve never really done as an actor before. I think I only saw the episode today for the first time but I think it was revealing in a way that I wanted it to be and that was probably the most challenging thing.

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Athelstan fans are completely devastated over the death of your character to the point where some have admitted they’re not sure if they can continue watching the series. I was wondering what would you say about the remainder of season three to encourage those to continue tuning in?

George Blagden: Wow. Well I suppose I would say that I think Michael said to me even though he didn’t tell me what was going to happen to the rest of season three, he said that he would find it very difficult to not have Athelstan as a very strong presence and central theme going forward. Even after death, how he would affect all of the characters’ relationships and how they would move on past his death. So I would like to think maybe he’s still a driving force in the narrative as a character even though he’s no longer there and I think a lot of the decisions and choices that the characters have to make as they go forward into Paris, the raid on Paris and dealing with the relationships abroad I think I would like to think that Athelstan has a part to play in all of that. So if some people are serious about not tuning in because of Athelstan then they should tune in. [Laughter] They should tune in next week.

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What’s up next for you? What’s your next project?

George Blagden: I have just finished filming a television series in France, in Paris believe it or not. Athelstan ended up going to Paris. No, it’s called Versailles. It’s for Canal+ in France and it’s about how Louis XIV decided to centralize his government and build this monstrosity of a palace, Versailles that we know and love today. It was very, very different to Vikings. I actually finished filming Vikings on the Friday at 6 PM, got on a plane on Saturday, had hair and make-up test on Saturday, rehearsed all day Sunday with the director of the Versailles and we turned over on the Monday morning in Paris. So I had a weekend to prepare for Versailles. It worked out quite well [Laughter] let’s say with the scheduling but the main difference was that weekend, I spent most of it having my hands manicured like crazy. I just spent three months in Ireland in the fields in mud being as Pagan as I could be. Yes, that was the main difference between the shows was the hand care, honestly like nail care, it was extreme. No, there was obviously a lot more amazing different things but no, it was an amazing project and I can’t wait for the world to see it. It’s very different to Vikings and yes, I’m excited to see it.

With all the supernatural and kind of more mysticism that’s been explored a little bit with Harbard and the Seer, is there any chance for a little bit of resurrection for Athelstan possible as another ally for Ragnar in the future since obviously it goes back to the Christianity thing.

George Blagden: Like I’ve been saying, my guess is good as yours. I really don’t know what Michael has in store for the rest of season three. I don’t know what he has in store for season four. So I’m going to e-mail him all of your suggestions. No, it’s a great suggestion. I think it would be an amazing story going forward. That element was there somewhere. I have yet to hear and I don’t think anyone on the show has received the scripts for season four yet. I’d love to.

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What did you thought of Ragnar’s eulogy for Athelstan at the end because I thought Travis did such a great job with it. What did you think of it?

George Blagden: I welled up. It’s amazing on shows like this, you read the script and you see what all of the other characters will have to film, but of course you’re not there on the day when they’re doing it. So you just see the scenes, see when it’s being shot and you imagine, “Okay, Travis is off doing that somewhere.” I didn’t even know where they were filming it and then coming to watch the episode through to the end and seeing Travis then climbing that hill and realizing it was the same place that we had the prayer together in the end of season two, this beautiful, beautiful, beautiful performance sent me over the edge. So yes, it was really, really lovely to watch as a kind of rounding off for the whole episode. Yes, really amazing and I think it’s quite rare when you’re in something to be that effective. I’m sure lots of people you talk to in the industry who are actors are involved in things, probably talk a lot about it’s quite hard to look at things objectively because you’re so close to it. So when you are able to just be sucked in and be emotionally affected by something that you’re actually involved in, I think it speaks volumes, how powerful that is. It’s an amazing thing what Travis did.

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So as a fan and an actor, what do you take away from this experience compared to all other projects you worked on? What will you miss the most?

George Blagden: I think the group of people I got to work with in Ireland for three years is something that is very rare. I think we got to a point in season three where everybody just had as much fun as they were working hard on the show. I think it’s rare when you’re on something where everyone gets along with everyone and there’s not a tough day at work because everyone is trying to make it as easy as possible for one another. I think the people were very, very special, rare group of people, the actors, the crew, everybody involved. I miss them all hugely.

How was that scene – can you walk us through really quickly that scene. You managed through that scene with Gustaf when he found out that he had to do a scene with you – ending your – getting rid of your character?

George Blagden: Yes, I think we both knew just before we started shooting episode one. So it was interesting knowing that six episodes prior and being able to work that through the narrative without maybe making it too obvious. They gave his character I think a lot of drive and emphasis with decisions about how he was going to try and start this revolutionary thinking against Ragnar’s way of thinking. I think the scene that Helen directed us in culminated in this beautiful clash of religions and in a very respectful way and what we really wanted to achieve was seeing two characters that have a lot of respect for one another. I think hopefully people took that away from it, that it was a mutual understanding between the two characters. I’m fascinated to see what people’s perceptions of Floki are going forward because I’ve always known him for the last two or three years to be a fan favorite character and everybody loves his character and rightly so.

George Blagden: I hope it doesn’t affect people’s view of him because I suppose in a way he was doing what he believed in and yes, we’ll see when Michael wants to take Floki whether he lets this action consume him or whether there’s a revival from it.

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Sure everyone will champion you at least coming after flashback.

George Blagden: Yes, like I said let’s compile a big group e-mail and spam Michael’s inbox. [Laughter]

With Athelstan’s fate being decided the way it was, he went out on the pacifist note because of his rebirth. During season two and then during that time frame, he was on the warrior path and now he came back to being a pacifist. Is that the way you always would have wanted them to go out or would you rather him going out with a sword?

George Blagden: That’s a very good question because the little boy part of me, George, would just love to seeing Athelstan and go out in some big heroic battle scene. The reality is that doesn’t look right when you stood next to Travis,and your little George Blagden and you can’t really go out in the heroic battle. No, I think Michael was very, very clever in how he kept the needle swinging backwards and forwards with Athelstan throughout the three seasons. It’s amazing how many times he could switch his character from side to side. I think there’s a nice resolution in coming full circle back to the religion in which he started and the place the devote Christian faith in which he so strongly believed in. I think it made the whole process feel a bit more complete in doing that. So I think Michael’s choice to have him go through this rebirth was definitely the right one.

Vikings season 3 Floki (Gustaf Skarsgård), Ragnar Lothbrok (Travis Fimmel), Bjorn Lothbrok (Alexander Ludwig), Lagertha (Katheryn Winnick), Rollo (Clive Standen)

Was there ever any discussion about having a scene where Ragnar discovers Athelstan’s body?

George Blagden: No, to be perfectly honest. All the script that I saw from Michael always had the murder of Athelstan take place and then very, very quickly making that time cut of Ragnar having discovered his body. I think actually, the scene that Michael and Travis came up with and how episode six ends is sort of in a way a lot more beautiful. I think there could have been a risk maybe if we had played out that scene where Ragnar discovers his body that we could have lapsed into a sort of melodrama or something that wasn’t maybe as reverential as it needed to be at the end of episode six. I remember Michael saying that episode six originally, we were going to move on very quickly and we would actually see one of the Vikings getting on the boat, sailing out towards Paris. Talking with Travis, it really felt as though we needed to close the book on that chapter. I think we needed episode six to end in that way with Travis sort of saying goodbye to his friend.

Michael Hirst has recently said that Ragnar’s children will eventually come into conflict with Alfred which is your son. If the show were to do a huge time jump, would you play Alfred the Great? Would you be up for that?

George Blagden: Absolutely, yes. Yes, I would love to. I think it would be a little bit weird and I’m not sure if people would fully buy into that. I’m there if they want me. No, that’s amazing. I didn’t actually know that. I should do a bit more research into Michael’s interviews. Yes, I had no idea that-that is where he wants to end up, that’s hard down the timeline with all of the sons and babies and children that we have at the moment in the show being grown up, that would be amazing. I’d be tuning in every week if I wasn’t in fact there on the set being Alfred.

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Just kind of think of anything to bring you back.

George Blagden: Yes, let’s keep thinking of things. [Laughter]

Last season was really stamped by the loss of the Earl’s Jarl Borg and the king, this year it’s been Siggy and Athelstan. Can you talk about the differences of how those deaths really affect and kind of steered this particular season?

George Blagden: Yes, I think what we saw in season two was like you referred to the deaths of Jarl Borg and King Horik. Both those deaths were extremely violent and I think that was a result of the fact that Michael’s writing for Ragnar mainly as a character was quite dark throughout season two. He’d become quite a dark character and he still is. I think maybe the deaths that we saw on season two reflected that, the sort of psychology and the behavior of Ragnar at that time. As we move into season three, maybe the deaths are more spiritual or supernatural maybe if we want to use that word, but they see a little bit less violent and a little bit less sort of violent in combat. They’d feel sort of more spiritual. I think it’s an interesting kind of layer to Michael’s writing that he is reflecting sort of character development and how characters – what their emotional states are throughout the show as a unit and reflect that in maybe huge events like deaths of characters or weddings or raids. It’s very clever how it’s all interwoven.

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What do you remember, I mean because one of the best scenes was when Athelstan went to Ragnar and told him he was Born Again and it was emotional to watch but is it emotional to play, what do you remember shooting that scene?

George Blagden: It was one of the last scenes I had filmed on the show. I remember Helen, our director explaining to me that I had to just try to be as open and loving towards Travis as I possibly could and not be scared to overdo it. It’s an interesting thing if you ever try being open and loving towards Travis, let me tell you it’s not the easiest thing in the world. The lovely, lovely kind of quiet, reserved man – yes he’s not quiet and reserved. The lovely sort of – I don’t really want to get emotional with anybody man that he is. It just made the scene everything, the chemistry that was going on between us to not just this character but the fact that it was one of the last scenes I would ever shoot with him. It made something that was very easy to play in the moment. I’m very happy how it turned out. I think it kind of looks very authentically full of openness. It was very much thanks to Helen who kind of pushed me and pushed me to make sure that I’m always giving him the loving eyes. [Laughter]

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Michael wrote that as kind for the Athelstan-Ragnar fans out there.

George Blagden: Yes, I think maybe there was a little element of that but yes, it was certainly a lot of Helen’s kind of direction that helped us to sort of make that scene very chemical in other words, yes.

George, any final closing remarks from you?

George Blagden: Just thank you very much for everyone for coming and chatting and talking about Athelstan in the show. It’s been such a pleasure to be a part of it and speaking to some of you over the years about the show and the character and yes, thank you very much for supporting us. I hope to speak to you all soon.

Aww……We all miss you George. He was so brilliant and such a pleasure to watch on screen. Let’s keep our fingers crossed! Who knows, maybe he will come back as Alfred. That would be so trippy and absolutely AWESOME! Thank you so much for everything George Blagden!

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